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Honore de Balzac Biography

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Honoré de Balzac (French IPA: ) (May 20, 1799 – August 18, 1850) was a nineteenth-century French novelist and playwright. His magnum opus was a sequence of almost 100 novels and plays collectively entitled La Comédie Humaine, which presents a panorama of French life in the years after the fall of Napoléon Bonaparte in 1815.

Balzac suffered from health problems throughout his life, possibly due to his intense writing schedule. His relationship with his family was often strained by financial and personal drama, and he lost more than one friend over critical reviews. In 1850, he married Ewelina Hańska, his longtime paramour; six months later, he died.

Immediately after his birth, Honoré was sent to a wet-nurse; he was joined by his sister Laure soon afterwards and they spent four years away from home. (Although Genevan philosopher Jean-Jacques Rousseau's influential book Émile convinced many mothers of the time to nurse their own children, sending babies to wet-nurses was still common among the middle and upper classes.) When the Balzac children returned home, they were kept at a frigid distance by their parents, which affected the author-to-be significantly. His 1835 novel Le Lys dans la Vallée features a cruel governess named Miss Caroline, modeled after his own caretaker.The Collège de Vendôme – engraving by A. Queyroy

Balzac had difficulty adapting himself to the rote style of learning at the school. As a result, he was frequently sent to the "alcove", a punishment cell reserved for disobedient students. (The janitor at the school, when asked later if he remembered Honoré, replied: "Remember M. Balzac? I should think I do! I had the honour of escorting him to the dungeon more than a hundred times!") Still, his time alone gave the boy ample freedom to read every book which came his way.

In 1816 Balzac entered the Sorbonne, where he studied under three famous professors. François Guizot, who later became prime minister, was Professor of Modern History. Abel-François Villemain, a recent arrival from the Collège Charlemagne, delivered lectures on French and classical literature to packed audiences. And – most influential of all – Victor Cousin's courses on philosophy encouraged his students to think independently.

1831 saw the success of La Peau de Chagrin (The Wild Ass's Skin), a fable-like tale about a despondent young man named Raphaël de Valentin who finds an animal skin promising great power and wealth. He obtains these things, but loses the ability to manage them. In the end, his health fails and he is consumed by his own confusion. Balzac meant the story to bear witness to the treacherous turns of life, its "serpentine motion."

Balzac's work habits are legendary – he did not work quickly, but toiled with an incredible focus and dedication. His preferred method was to eat a light meal at five or six in the afternoon, then sleep until midnight. He then rose and wrote for many hours, fuelled by innumerable cups of black coffee. He would often work for fifteen hours or more at a stretch; he claimed to have once worked for 48 hours with only three hours of rest in the middle.First page of the first proofs of Béatrix

When M. Hański died in 1841, his widow and her admirer finally had the chance to pursue their affections. Competing with the Hungarian composer Franz Liszt, Balzac visited her in St. Petersburg in 1843 and impressed himself on her heart. After a series of economic setbacks, health problems, and prohibitions from the Tsar, the couple was finally able to wed. On March 14, 1850, with Balzac's health in serious decline, they drove from their home in Wierzchownia to a church in Berdyczów and were married. The ten-hour journey to and from the ceremony took a toll on both husband and wife: her feet were too swollen to walk, and he endured severe heart trouble.

The influence of Paris permeates La Comédie. Nature takes a back seat to the artificial metropolis, in stark contrast to the depictions of weather and wildlife in the countryside. "If in Paris," Rogers says, "we are in a man-made region where even the seasons are forgotten, these provincial towns are nearly always pictured in their natural setting." Balzac himself said, "the streets of Paris possess human qualities and we cannot shake off the impressions they make upon our minds." His labyrinthine city provided a literary model used later by English novelist Charles Dickens and Russian author Fyodor Dostoevsky. The centrality of Paris in La Comédie Humaine is key to Balzac's legacy as a realist. "Realism is nothing if not urban," notes critic Peter Brooks; the scene of a young man coming into the city to find his fortune is ubiquitous in the realist novel, and appears repeatedly in Balzac's works, such as Illusions Perdues.

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