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Dave Matthews Band Biography

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Dave later would say in an interview with Michael Krugman, "In a way, initially it was just the three of us and I approached them with this tape and they said 'Sure,' cause they had time on their hands. They were both working on other things, but they had some afternoon time." The beginning stages of this new band was, in the words of Morgan Delancey, "a time of trial and incubation." Beauford would later recall that, "It started out as a three-piece thing with Dave and Leroi...working on some of Dave's songs. he only had four songs at the time..And it didn't work out with the three of us." Dave would also say, "The first time we played together...we were awful. Not just kind of bad, I mean heinously bad. We tried a couple of different songs and they were all terrible...Sometimes it amazes me that we ever had a second rehearsal."

Peter Griesar was a bartender at Miller's beginning in 1989, and in August 1991, during Miller's annual respite for inventory, Matthews, Beauford, Moore and Lessard used the empty bar for rehearsing. Griesar heard them rehearsing and decided to stop working for a while, pulled out his harmonica, and started playing with them. After a few songs, he was invited to perform with them. He immediately accepted, becoming the band's first keyboardist. Griesar's last show with the band was March 23, 1993.

The band's first in-studio demo was recorded February or March 1991, and consisted of "The Song That Jane Likes," "Recently," and "Tripping Billies," prior to Boyd joining as a full-time bandmember. Boyd only performed on "Tripping Billies."

They still did not have a name for the band. One name that was thrown around was Dumela, but no real enthusiasm was ever felt, and they dropped it. One story is that Moore reportedly telephoned a place they were booked and said to just write Dave Matthews. The person receiving the call just wrote 'band' after the name, and the name stayed Dave Matthews Band from that point on. Dave told Robert Trott of AP, "Boyd , if memory serves, wrote 'Dave Matthews Band . There was no time when we said, 'Let's call this band the Dave Matthews Band.' It just became that, and it sort of was too late to change when we started thinking that this could focus unfairly on me. People sort of made that association, but it's really not like that."

During the summer, the band took part in the Woodstock '99 concert and then released their third live album, Listener Supported, in the fall. The album, a live recording, used a show performed at the Continental Airlines Arena in East Rutherford, New Jersey on September 11, 1999 for a PBS television special. The album was also released as the band's first DVD. The year also provided two more Grammy nominations.

During 2000, DMB set up their own recording studio at a large countryside home outside Charlottesville. With longtime producer Lillywhite at the helm, the band began work on a fourth studio album. Heavily influenced by personal conflicts, notably the death of Matthews' uncle from alcoholism, the songs recorded with Lillywhite rank as some of the darkest he has ever written. In the end, the studio sessions were a failure. In August 2000, the sessions were scrapped and the band's seven-year relationship with Lillywhite was over. Some believe DMB was unhappy with the atmosphere of the songs and frustrated with Lillywhite's often perfectionist style of production, while others believe Lillywhite was made into a scapegoat for the band's lack of professionalism during the recording sessions. Or, as Dave was quoted to say, he was in a depressive state and BMG kept asking him for happy music.

On November 5, 2002, the band released its fifth live album, Live at Folsom Field, Boulder, Colorado, recorded on July 11, 2001. The release was directed by long-time DMB lighting designer, Fenton Williams. The live release highlighted songs from both Everyday and Busted Stuff. The "Everyday" and "#36" segue can also be heard for the first time on an official release on this album. The albums was also released as a DVD.

The band supported the album with a summer-long tour culminating in a four-night stand at one of their favorite jaunts, Colorado's Red Rocks Amphitheatre. Red Rocks holds special significance for the band, as it was the site of their first live album a decade earlier. All proceeds from the fourth Red Rocks show, which totalled over $1 million, went to the victims of Hurricane Katrina. The 2005 Red Rocks concerts were released on November 29 as a "best of" CD/DVD combo entitled Weekend on the Rocks. The Complete Weekend On The Rocks, a box set of all four Red Rocks concerts, is also exclusively available from DMB's official store.

DMB embarked on a brief tour in Fall 2005 during November and December. That tour was quite a success and featured the return of old school songs such as "Minarets," "Halloween," "Pig," "Christmas Song," and "Recently."

According to the band's website, since 1999 the band has contributed $4 million to the BAMA Works Fund. The BAMA Works Fund supports projects addressing the needs of disadvantaged youth, needs of the disabled, protection of the environment, and the arts and humanities. This foundation only operates in the Charlottesville Virginia area.

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