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Juliana Hatfield Biography

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Birth Name(s) : Juliana Hatfield Date of Birth: July 27, 1967
Status:  N/A Partner: N/A
Profession: Musician
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Full Juliana Hatfield Biography
With her young, innocent singing voice and a knack for writing infectioushooks into her songs, Juliana Hatfield has been at the forefront of popmusic for almost a decade. In her over four years as singer/frontwoman forthe influential, Boston-based college radio gods the Blake Babies -- alongwith John Strohm and Freda Boner (a.k.a. Freda Love) -- Hatfield establishedherself as one of the most popular and endearing women in rock, won theheart of critics and set the stage for a fruitful solo career.

Hatfield left the Blake Babies in 1991, and in 1992 she formed the Juliana Hatfield Three to release her first solo album, Hey Babe, on Mammoth Records. Although garneringcritical success, the album was not a resounding commercial success. Her sophomorerelease however, the 1993 Mammoth release Become What You Are, withthe radio-friendly tunes "My Sister," "Supermodel" and "Addicted," put herinto the national spotlight, triggering an enormous amount of press andairplay.

Often associated with Evan Dando of Lemonheads fame, Hatfield followed Become What You Are with the 1995 Only Everything. Her new album, God's Foot is slated for a summer '97 release on Mammoth.
Additional Juliana Hatfield Biography
Juliana Hatfield (born July 27, 1967 in Wiscasset, Maine, United States), is an American guitarist/singer-songwriter from the Boston area, formerly of the indie rock band Blake Babies.

Although Hatfield shared vocal duties with Strohm in the group, she quickly stood out due to her unique vocal quality; her somewhat thin, girlish voice gave the group a youthful, innocent sound that was nevertheless belied by often-caustic lyrics and a vocal delivery punctuated frequently by harsh, distorted screams (in live performances more so than on recordings). Although the group's early work was essentially punk-oriented, they quickly settled into a sunny, melodic, and slightly jangly pop style reminiscent in style of early R.E.M. and Neil Young. Hatfield and Strohm shared songwriting credits and often sang together in harmony or octaves, creating a memorable "boy-girl" sound rarely encountered in rock (except in the work of X and a few later indie bands as Velocity Girl, Hazel, Quasi, Low, Mates of State, and Rainer Maria).

The group formally disbanded in 1991 but, largely due to the persistent efforts of Freda, reunited briefly in late 1999, performing a few shows in 1999 and 2000 and embarking on one last U.S. tour in 2001. Coinciding with the tour The Blake Babies recorded and released a new album titled God Bless The Blake Babies which received strong reviews. The album featured new original songs as well as renditions of songs by Ben Lee and Madder Rose. Frequent collaborator Evan Dando also made a guest appearance on the album. After the tour Hatfield released a Blake Babies EP titled Epilogue at her live shows featuring the band covering Fleetwood Mac, The Ramones and MC5.

In 1996 she traveled to Woodstock, New York where she recorded tracks for God's Foot, which was to be her fourth solo album (third if not counting Become What You Are, which was recorded with the Juliana Hatfield Three), intended for 1997 release. Containing some of Hatfield's finest work to date, the album was unfortunately put on indefinite hold by her record company due to a disagreement with Hatfield. Only substandard bootleg versions of these songs (which do not meet Hatfield's approval) have surfaced and she has rarely featured them in her subsequent live performances.

During this time Hatfield left Atlantic Records and ventured back into indie-world. She recorded a six song EP titled Please Do Not Disturb, along with Todd Phillips and Ed Slanker, and with new bass player Mikey Welsh (Weezer). The EP produced by Hatfield features a tender song "Trying Not To Think About It" which is a tribute to the deceased musician Jeff Buckley who was a friend of Hatfield's. The EP was released on Bar/None Records in 1997.

In 2000, she released Beautiful Creature, an album which was among the most critically well-received of her career. This album left the rockier side of Hatfield's musical personality unexpressed, however, so at the same time she also recorded Juliana's Pony: Total System Failure with Zephan Courtney and Mikey Welsh, which she describes as "a loud release of tension", with "lots of long sloppy guitar solos. And no love songs...a not-at-all attractive reaction to the ugly side of humanity, specifically American culture" The two albums were initially released in a set as a pair. Juliana's Pony: Total System Failure was however received very badly by the critics , who much preferred the acoustic songwriting on Beautiful Creature. On Beautiful Creature Hatfield worked with Austin-based musician DavĂ­d Garza who co-produced much of the album. Wally Gagel a producer for Sebadoh and Tanya Donelly helped Hatfield record her most electronica influenced songs "Cool Rock Boy" and "Don't Rush Me" which added texture to the otherwise acoustic album.

By contrast, the 2005 album Made in China was released on her own new record label, Ye Olde Records, and has a much rawer feel. John Doe of the band X described the disc as "A frighteningly dark & beautiful record filled w/ stark, angular, truly brutal songs & guitars. This is surely a 'Woman Under the Influence', though I'm not sure of what". Reviews were very mixed, with some liking the lo-fi sound, but others seeing it as slackness.

In December 2005 Hatfield toured the United States with the band X, whom she idolized during her teenage years.

2006, Hatfield released her first live album. Titled The White Broken Line: Live Recordings, the album featured performances from her tour with X. This was Hatfield's third release for her record label.

In 2007 Hatfield signed the Boston(now Austin)-based band Frank Smith to her record label, Ye Olde Records. Along with releasing their 2007 album Heavy Handed Peace and Love Hatfield also recorded an EP with the band titled Sittin' In A Tree. The EP, produced by Frank Smith's Aaron Sinclair, features banjos, pedal steel, and other instruments normally associated with country music.
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People think that my personality can be reduced to what's in the songs on Hey Babe and it's not true. But people don't realize that.
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