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| Birth Name(s) : Lucille Desiree Ball |
Date of Birth: August 6, 1911 |
| Status:
N/A
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Partner:
Gary Morton |
| Profession:
Actor |
Official Site
Go to the Lucille Ball Official Homepage |
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Full Lucille Ball Biography
| Remembered as a dizzy sitcom redhead with show business aspirations, Lucille Ball was, in fact, a show business powerhouse and television pioneer. Throughout her teen years, Ball tried unsuccessfully to launch her show business career, finally landing a spot as a Ziegfeld Girl. She launched her Hollywood career as one of the Goldwyn Girls, but she moved out from the crowd of starlets to starring roles. With "I Love Lucy", she and husband Desi Arnaz pioneered the 3-camera technique now the standard in filming TV sitcoms, and the concept of syndicating TV programs. She was also the first woman to own her own film studio as the head of Desilu. |
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Additional Lucille Ball Biography
After her father died, Ball and her brother Fred were raised by her working mother and grandparents. Her grandfather, Fred C. Hunt, was an eccentric socialist who enjoyed the theater. He frequently took the family to vaudeville shows and encouraged young Lucy to take part in both her own and school plays.
She moved back to New York City in 1932 to become an actress and had some success as a fashion model for designer Hattie Carnegie and as the Chesterfield girl. She began her performing career on Broadway using the stage name "Diane Belmont" and was hired—but then quickly fired—by theatre impressario Earl Carroll from his Vanities and by Florenz Ziegfeld from a touring company of Rio Rita.
In 1940, Ball met Cuban bandleader Desi Arnaz while filming the film version of the Rodgers and Hart stage hit Too Many Girls. Ball and Arnaz connected immediately and eloped the same year, garnering much press attention. Arnaz and Ball frequently argued, especially over his indiscretions with other women, but they always made up in the end. Arnaz was drafted to the United States Army in 1942. He ended up being classified for limited service due to a knee injury.
Shooting long shots, medium shots, and close-ups on a comedy in front of a live audience demanded discipline, technique, and close choreography. Among other non-standard techniques used in filming the show, cans of paint (in shades ranging from white to medium gray) were kept on set to "paint out" inappropriate shadows and disguise lighting flaws.
I Love Lucy dominated the weekly TV ratings in the United States for most of its run. The show made a lot of firsts. In the scene where Lucy and Ricky are practicing the tango in the episode, "Lucy Does The Tango," the longest recorded studio audience laugh in the history of the show was produced. It was so long, in fact, that the sound editor had to cut that particular part of the soundtrack in half. The strenuous rehearsals and demands of Desilu studio kept the Arnazes too busy to comprehend the show's success. During the show's hiatus, they starred together in feature films: Vincente Minnelli's The Long, Long Trailer (1954) and Alexander Hall's Forever, Darling (1956). According to a number of sources, including biographers Stern Kanfer and Bart Andrews, when the couple finally found time to attend a Hollywood movie premiere in late 1953, the entire star-studded audience stood and turned with a thunderous applause. It finally connected with the Arnazes. I Love Lucy made them the biggest stars in the nation, even among the Hollywood elite.
Ball's instincts with business were often astonishingly sharp, and her love for Arnaz was passionate, but her relationships with her children were sometimes strained. Lucie Arnaz, her daughter, spoke of her mother's "controlling" nature. She had a few very good friends in the business: Ginger Rogers, Mary Wickes and Vivian Vance. All were childless; Wickes never married.
In 1953, Ball was subpoenaed by the House Committee on Un-American Activities because she had registered to vote in the Communist party primary election in 1936 at her socialist grandfather's insistence (per FBI FOIA-released documents in a declassified FBI file.) Immediately before the filming of episode 68 ("The Girls Go Into Business") of I Love Lucy, people in the studio audience made signs and started booing, their minds on her Capitol Hill appearance. Desi Arnaz came onstage and quipped: "The only thing red about Lucy is her hair, and even that's not legitimate." Then, he presented her and people started cheering for her.
Following I Love Lucy, Ball appeared in the 1960 Broadway musical Wildcat, which was a successful sell-out that ended up losing money and closing early when Ball became too ill to continue in the show. The show was the source of the song she made famous, "Hey, Look Me Over", which she performed with Paula Stewart on The Ed Sullivan Show. She made a few more movies including Yours, Mine, and Ours (1968), and the musical Mame (1974), a film in which Ball was considered by many to be too old to play the starring role, and two more successful long-running sitcoms for CBS: The Lucy Show (1962–68), which costarred Vance and Gale Gordon, and Here's Lucy (1968–74), which also featured Gordon, as well Lucy's real life children, Lucie Arnaz and Desi Arnaz, Jr.
On April 18, 1989, Ball complained of chest pains and was rushed to the emergency room of Cedars-Sinai Medical Center. She was diagnosed as having a dissecting aortic aneurysm and underwent surgery for nearly eight hours. The surgery was successful and Ball was recovering; she was walking around her room with little assistance. On April 26, shortly before dawn, Ball awoke with severe back pains. Her aorta had ruptured in a second location and Ball quickly lost consciousness. All attempts to revive her proved unsuccessful and at approximately 5:17 a.m., Lucille Ball died at the age of 77.
Lucille Ball has appeared on the cover of TV Guide more than any other person; she appeared on 39 covers.
In 2007, she was posthumously awarded the Legacy of Laughter award at the 5th Annual TV Land Awards. and I Love Lucy was named the Greatest TV Series by Hall of Fame Magazine. |
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Lucille Ball Quote(s)
| I don't know anything about luck. I've never banked on it, and I'm afraid of people who do. Luck to me is something else: hard work and realizing what is opportunity and what isn't. |
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